| Issue | Title | |
| Vol 2 (2006-7) | Pierrot lunaire in Studio and in Broadcast: Sprechstimme, Tempo and Character | Abstract PDF |
| Avior Byron | ||
| Vol 3 (2007-8) | Analysis, Philosophy and the Challenge of Critical Theory: Michael Spitzer’s Music as Philosophy: Adorno and Beethoven’s Late Style | Abstract PDF |
| Julian Horton | ||
| Vol 1 (2005-6) | Anonymous I and Prologus in tonarium: Changing Interpretations of Music Theory in Eleventh-Century Germany | Abstract PDF |
| T. J. H. McCarthy | ||
| Vol 1 (2005-6) | Bach's Prelude, Fugue and Allegro for Lute (BWV 998): a Trinitarian Statement of Faith? | Abstract PDF |
| Anne Leahy | ||
| Vol 4 (2008-9) | Barbara M. Reul and Lorraine Byrne Bodley (eds), The Unknown Schubert (2008) | Abstract PDF |
| Anne Margaret Hyland | ||
| Vol 5 (2009-10) | Barra Boydell and Kerry Houston (eds), Music, Ireland and the Seventeenth Century, Irish Musical Studies, 10 (2009) | Abstract PDF |
| Peter Holman | ||
| Vol 3 (2007-8) | Beate Perrey (ed.), The Cambridge Companion to Schumann (2007) | Abstract PDF |
| Michael Murphy | ||
| Vol 5 (2009-10) | Benjamin D. Koen (ed.), The Oxford Handbook of Medical Ethnomusicology (2008) | Abstract PDF |
| Jane Edwards | ||
| Vol 1 (2005-6) | Bruckner's Symphonies and Sonata Deformation Theory | Abstract PDF |
| Julian Horton | ||
| Vol 3 (2007-8) | Crossing the River: Exploring the Geography of Irish Traditional Music | Abstract PDF |
| Daithí Kearney | ||
| Vol 6 (2010-11) | David Toop, Sinister Resonance: The Mediumship of the Listener (2010) | Abstract PDF |
| Stephen Graham | ||
| Vol 6 (2010-11) | E. J. Moeran’s Symphony No. 2 in E flat | Abstract PDF |
| Fabian Huss | ||
| Vol 6 (2010-11) | Evan Jones (ed.), Intimate Voices: the Twentieth-Century String Quartet (2009) | Abstract PDF |
| Michael Russ | ||
| Vol 4 (2008-9) | Fabian Holt, Genre in Popular Music (2007) | Abstract PDF |
| Wolfgang Marx | ||
| Vol 6 (2010-11) | Gareth Cox, Seóirse Bodley (2010) | Abstract PDF |
| Robin Elliott | ||
| Vol 2 (2006-7) | Gerry Smyth, Noisy Island: A Short History of Irish Popular Music (2005) | Abstract PDF |
| Anthony McCann | ||
| Vol 2 (2006-7) | Getting to the Heart of the Music: Idealizing Musical Community and Irish Traditional Music Sessions | Abstract PDF |
| Helen O'Shea | ||
| Vol 5 (2009-10) | Hamilton Harty’s Legacy with the Hallé Orchestra (1920–1930): a Reassessment | Abstract PDF |
| Declan Plummer | ||
| Vol 5 (2009-10) | Harry White, Music and the Irish Literary Imagination (2008) | Abstract PDF |
| Eugene O'Brien | ||
| Vol 2 (2006-7) | Harry White, The Progress of Music in Ireland (2005) | Abstract PDF |
| Susan Youens | ||
| Vol 4 (2008-9) | Henry Burnett and Roy Nitzberg, Composition, Chromaticism and the Developmental Process: A New Theory of Tonality (2007) | Abstract PDF |
| Robert Wason | ||
| Vol 1 (2005-6) | Inaugural Foreword | Abstract PDF |
| Harry White | ||
| Vol 6 (2010-11) | Jeremy Dibble, Michele Esposito (2010) | Abstract PDF |
| Axel Klein | ||
| Vol 6 (2010-11) | John O’Flynn, The Irishness of Irish Music (2009) | Abstract PDF |
| David Cooper | ||
| Vol 6 (2010-11) | Julian Hellaby, Reading Musical Interpretation: Case Studies in Solo Piano Performance (2009) | Abstract PDF |
| Michael Murphy | ||
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Journal of the Society for Musicology in Ireland ISSN: 1649-7341
www.music.ucc.ie/jsmi