Table of Contents
Articles
| Marie Sallé and the Development of the Ballet en action | |
| Sarah McCleave | 1-23 |
| Precursive Prolongation in the Préludes of Chopin | |
| James William Sobaskie | 25-61 |
| What did they sing at Cashel in 1172?: Winchester, Sarum and Romano-Frankish Chant in Ireland | |
| Frank Lawrence | 111-125 |
| Crossing the River: Exploring the Geography of Irish Traditional Music | |
| Daithí Kearney | 127-139 |
Review articles
| Analysis, Philosophy and the Challenge of Critical Theory: Michael Spitzer’s Music as Philosophy: Adorno and Beethoven’s Late Style | |
| Julian Horton | 63-95 |
Reviews
| Lewis Foreman, Bax: A Composer and His Times, third edition (2007) | |
| Fabian Huss | 97-104 |
| Séamas de Barra, Aloys Fleischmann (2006) | |
| Marie McCarthy | 105-110 |
| Leith Davis, Music, Postcolonialism, and Gender. The Construction of Irish National Identity, 1724–1874 (2006) | |
| Harry White | 141-143 |
| Beate Perrey (ed.), The Cambridge Companion to Schumann (2007) | |
| Michael Murphy | 145-150 |
| Sally Harper, Music in Welsh Culture Before 1650: A Study of the Principal Sources (2007) | |
| Ann Buckley | 151-158 |
| Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005) | |
| Áine Heneghan | 159-164 |
Journal of the Society for Musicology in Ireland ISSN: 1649-7341
www.music.ucc.ie/jsmi