Table of Contents
Articles
| Populism and Folklorism in Central European Music Pedagogy of the Nineteenth and Early Twentieth Centuries | |
| Rhoda Dullea | 35-53 |
Reviews
| Steven Baur, Raymond Knapp and Jacqueline Warwick (eds), Musicological Identities: Essays in Honor of Susan McClary (2008) | |
| Christopher Morris | 55-65 |
| Nicholas Cook, The Schenker Project. Culture, Race, and Music Theory in Fin-de-siècle Vienna (2007) | |
| Antonio Cascelli | 67-73 |
| Matthew Gelbart, The Invention of ‘Folk Music’ and ‘Art Music’. Emerging Categories from Ossian to Wagner (2007) | |
| Harry White | 75-77 |
| Kevin C. Karnes, Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna (2008) | |
| Nicole Grimes | 79-83 |
| Barbara M. Reul and Lorraine Byrne Bodley (eds), The Unknown Schubert (2008) | |
| Anne Margaret Hyland | 85-95 |
| Robert Beale, Charles Hallé: A Musical Life (2007) | |
| Fiona M. Palmer | 97-100 |
| Robert O. Gjerdingen, Music in the Galant Style (2007) | |
| Martin Adams | 101-105 |
| Michael Murphy and Jan Smaczny (eds), Music in Nineteenth-Century Ireland (2007) | |
| Christina Bashford | 3-6 |
| Pieter Dirksen, Heinrich Scheidemann’s Keyboard Music: Transmission, Style and Chronology (2007) | |
| Paul Collins | 7-10 |
| Henry Burnett and Roy Nitzberg, Composition, Chromaticism and the Developmental Process: A New Theory of Tonality (2007) | |
| Robert Wason | 11-17 |
| Linda Cummins, Debussy and the Fragment (2006) | |
| Daniel Shanahan | 19-21 |
| Simon-Pierre Perret and Marie-Laure Ragot, Paul Dukas (2007) | |
| Laura Watson | 23-26 |
| Fabian Holt, Genre in Popular Music (2007) | |
| Wolfgang Marx | 27-34 |
Journal of the Society for Musicology in Ireland ISSN: 1649-7341
www.music.ucc.ie/jsmi