Table of Contents
Articles
| A Critical Inferno? Hoplit, Hanslick and Liszt’s Dante Symphony | |
| Nicole Grimes | 3-22 |
Reviews
| Charles Rosen, Music and Sentiment (2010) | |
| Hugh Tinney | 23-28 |
| Philip Ross Bullock, Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England (2009) | |
| Paul Rodmell | 29-32 |
| Ralph Locke, Musical Exoticism: Images and Reflections (2009) | |
| Bennett Zon | 33-38 |
| J. P. E. Harper-Scott & Jim Samson (eds), An Introduction to Music Studies (2009) | |
| Wolfgang Marx | 39-45 |
| Richard W. Pfaff, The Liturgy in Medieval England: A History (2009) | |
| Ann Buckley | 47-53 |
| Alison M. Garnham, Hans Keller and Internment: The Development of an Emigré Musician 1938–48 (2011) | |
| Gareth Cox | 55-59 |
| John Cunningham, The Consort Music of William Lawes 1602–1645 (2010) | |
| Alan Howard | 61-65 |
| Antonicek, Gruber & Landerer (eds), Eduard Hanslick zum Gedenken: Bericht des Symposions zum Anlass seines 100. Todestages (2010) | |
| Nicole Grimes | 67-76 |
| Paul Collins (ed.), Renewal and Resistance: Catholic Church Music from the 1850s to Vatican II (2010) | |
| Edward Schaefer | 77-81 |
Journal of the Society for Musicology in Ireland ISSN: 1649-7341
www.music.ucc.ie/jsmi